Oxford University
Oxford University Logo

Learning to Look at the Visual Arts (Online) 
offered by Oxford University

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Overview

Create a feeling for the integration of the aesthetic appearance with the subject matter and period of the picture

Duration

10 weeks

Total fee

26,000

Mode of learning

Online

Course Level

UG Certificate

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Highlights

  • Earn a certificate of completion from Oxford university
Details Icon

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Course details

What are the course deliverables?
  • Learn how to look in a more objective and analytical way
  • Learn the visual vocabulary and glossary of terms
  • Understand pictoral qualities and what they mean, that is Composition, Space, Form, Tone, Colour, Subject Matter
  • Provide a method for looking at paintings, drawings and prints which is both flexible and clear
  • Generate understanding of pictorial qualities and their integration for the aesthetic appearance
More about this course
  • This course offers you the opportunity to learn how to study and analyse paintings, drawings and prints and learn the 'language of looking' to communicate your appreciation of art
  • Learn about the qualities that make up a picture including composition, space, form, tone and colour, why each element is important, and how they relate to each other to create the aesthetic appearance of the image
  • Learn to understand the importance of subject matter, original function and setting of a picture in appreciating its visual meaning
  • A key element of the course is art criticism where you will take part in guided viewings of paintings and then have the opportunity to put your new visual vocabulary into practice working on tasks with your fellow students

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Curriculum

Introduction to learning Look at the Visual Arts

Introduction to the course

Composition

Horizontals and verticals

Harmony and balance

Curves and diagonals

Colour and composition

Asymmetry

Apparently random composition

Collage

Space

Linear perspective

Geometrical space

Imaginative space and illusionism

Aerial perspective and space to walk about in

Spatial distortion ignoring the middle distance

Multiple viewpoint perspective

Space in front of the picture

Spatial disorientation

Form

Sculptural form in the human figure

Form achieved by chiaroscuro and sfumato

Form made tangible

The disintegration and rebuilding of form

Form created with colour

The closing of the gap between painting and sculpture in the twentieth century

Tone

The use of tone for imaginative expression

Tone used to create drama

Tone and the expression of emotion

Tone and the realisation of form and space

Tone used to create atmosphere

Tone and the reconstruction of form

Colour

Primary and complementary contrast and the afterimage

The vocabulary of colour

Using the vocabulary of colour

The use of colour to express emotion

The power of colour to express emotion without a figurative subject and the effect of colour and scale

Colour and the expression of texture

The use of coloured light for expression

Subject-matter

Religious subjects

Historical subjects

Scenes of everyday life with a moral

Subject matter and image making: clarity and ambiguity in communicating a message

The idea of ambiguity in a visual image

Subject matter and the idea of abstraction

Poetical subjects and the idea of painting as poetry

Drawing and its purposes

Drawing used to try out ideas

Drawing and sculptural expression

Landscape drawings and watercolours

Line drawing

Individual drawing techniques in the twentieth century

Looking at print

The exploitation of detail: line engraving, woodcut and wood engraving

The etching: the creation of mystery and ambivalence by means of tone

The development of a print from its original drawing: etching and aquatint

Lithography

The coloured lithograph and the silk screen print

Faculty Icon

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Faculty details

Mr Gordon Reavley
Gordon Reavley teaches topics in Art History and Visual and Material Culture for Oxford University's Dept of Continuing Education (OUDCE), and Critical Theory for the University of Nottingham. He has been widely published on American social and cultural history and on the history and theory of art and design.

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Entry Requirements

Eligibility criteriaUp Arrow Icon
Conditional OfferUp Arrow Icon
  • Yes

Other courses offered by Oxford University

Star Icon4.912 months
A++ Shiksha Grade
#19 QS
24 Months
  • Sep' 25
88.95 L
12 months
A++ Shiksha Grade
#1 THE
61
  • Oct' 25
43.8 L
11 months
A++ Shiksha Grade
#2 QS
21
  • Oct' 25
38.49 L
11
    – / –
31.54 L
View Other 330 CoursesRight Arrow Icon

Learning to Look at the Visual Arts (Online)
 at 
Oxford University 
Contact Information

Address

University Offices, Wellington Square, Oxford OX1 2JD, United Kingdom
Oxford ( Oxfordshire)

Go to College Website ->